anatomy_of_attraction
mahayana practitioner conveys conceptual intention
in both body & essence of spiritual motifs

walls, paper, canvas, wood,
applying paint, color, pigment
modes of expression
glass, lacquer, clay, concrete
with forms too numerous

in practice we paint articulate shapes
juxtaposing surfaces of different intensity

carnelian, crimson, rust
symbolic shapes flashing
amongst subtle movements of sheets
flickers of candles are caught
demarcating ideals of outlines

no boundaries exist between the planes
characters ensnared
between the plight of mathematical lines
our fascination with each other
merely a manifestation
where do i begin - where do you end
in the boundary of one color placed against another

contemplate the mystery
of the human person
a masterpiece

beauty, personality, virtue
genuine sense of honor
i respond to such ideals
for this attraction involves so much more
senses, mind, will, emotions, and desire

a pause incorporated into sequence
freedom of movement between our bodies
pitch and rhythm are the music

creative forces intervene
form, melody, coloration
all esthetical values felt in soul
a universal concept of beauty

every point in space with a difference of intensity
yet nothing intervenes between our spaces
constant & steady through all the years

pitch and rhythm are the music
a perception perceived as true beauty
as paintings become depictions of truth

all the colors of skin
shades and dynamics
together we make
as tonality has her way

colors only add to our potential

carnelian, crimson, rust,
scarlet and persimmon
the range & hues a body takes
i see the true magnificence of you
like the consideration of a piece of music
i am likewise taken in by your beauty

an attraction not merely of sensual urge
communication | bodily union | authentic love
you are a person in terms of pleasure & joy
the value of soul that I may share with you
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