the_living_gaul
lycanthrope The Living Gaul

To survive this fallen world
one must romanticize their own suffering.
Christ on a cross the angry father booms.
Bring yourself to my hand
or I swear my hand will find you.
But the boy is already standing there,
defiant, away in his head.
He didn't sneak a cookie,
no he's a defiant Gaul
standing before Caesar and civilization's legions.
He can see through time to the statue
they'll erect - eyes cast upwards to heaven,
cookie crumbs like battle scars.
He could be paraded red assed
through the streets but the triumph
is his.

In high school he's in prison.
He does yard pushups and fashions
tattoos from broken pens.
He checks out books of Russian poetry
He sneaks downstairs at midnight
and watches the Taxi Driver monologue
on a VHS tape that jumps,
and dismisses it.
That's not romanticizing suffering -
that guy needs to be the hero.
That guy needs delusion.
He takes mushrooms with skater
friends near the pond in the park and is undone entirely by a duck calmly
approaching him in peaceful curiosity.
He sits against the bodhi tree
and everything exhales and gasps
and exhales.

One does not need to imagine Sisyphus
happy. I have seen documentaries
on dung beetles where one pushes
a shit ball up a hill for what must be
years of its life, possibly most of its life.
Suffering is what insects do.
With a shoulder shrug and laugh,
bouncing like a prowrestler
thrown from on high into gravity
and pain.
The trick isn't to land softly,
it's to sell what doesn't need to be sold.

In young adulthood he purchases
French poetry. He is drunk on his
suffering and also alcohol (or virtue if you like).
His hangovers are exquisite sweaty torture
He twists in blankets and feels his heart in his wrist
with the same indulgent masochism that leads one
to press on a sore tooth.
He is sexually deviant,
the Gaul lends his torque,
he swears his hand finds them.
Decades of orgasms and other pained
expressions.
The pushups never stop.

And then, a cutscene in a nature documentary, suddenly you're burying
your friends, leave alone the harder losses,
but it isn't so bad as you have lofty poems
to share for every occasion on account of checking out
all that Russian and French poetry.
The secret to public speaking
to being dominant even,
is to romanticize the gentle suffering
their eyes inflict on you.
You're a prowrestler now,
suffering is your art.
You imagine giving the Taxi Driver monologue
to the grieving throng,
but you speak sweetly, give solace.
You lay your words on the spill like a towel.

Then one day years later,
you're holding little hands in the park.
You're a gentle father, a lamb
lying with a lion and you hardly
understand it. You have a house.
A duck of all things calmly
approaches you.
Nothing in you screams.
Nothing in you is desperate.
You nod and say hello fellow traveler.
What's good in this fallen world?
Bread? I agree bread is good.
You must romanticize your suffering.
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