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epitome of incomprehensibility
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This is one of my favourite poems, and I can explain. For one, I'm writing some slightly_autobiographical Bible fanfiction right now, so apparently this is a genre I like. Even if Sylvia Plath lived and died before "fanfiction" became a word (or two, depending how you spell it). For two, the flow. The balance of images, everything relating together in some fashion. A phoenix. Resurrection. Rebellion. For three, the ending, which seems to counterbalance real-life tragedy - the author ending her life so young. At least in the poem, she stands triumphant, defiant. Transmuted into air and fire, mythical. (Who's to know that her soul isn't like that? ...Not that I was Plath in a past life. Someone less silly might have been. Maybe a white-throated sparrow.) I also want to add (in belated answer to a years-ago conversation) that I'm not against Plath making references to Nazi Germany. It's just that I don't think she did it very well in "Daddy" - to me, that poem comes across too much like "my problems are JUST LIKE this larger historical tragedy." It's different in "Lady Lazarus." The image of the observers as Nazis (for instance) serves to connect the "freak show" theme with different points in history, so the image reads more like an insight on how mental or physical illness is too often treated like a weakness to exploit, to experiment on, to destroy. It's not like "Daddy," which seems to equate a single speaker's problems with the Holocaust, which (to me) comes across as all out of proportion. (But then my first version of The_Nostratic_Hypothesis was a little bit like this. Just with the Bible again and with different daddy issues - me wanting answers that a parent can't provide.)
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