tippy
amy "Take a photograph of a reflection in a mirror and think that piece of film, which will in turn reflect an image to the curving surfaces of the eye and the folding surfaces of the brain. Study the events of history as Thucydides did, and the work itself becomes an event of history. Study mythology, and the work itself becomes a piece of mythology, a story in which old gods wear new clothes but live as they did before the fashions became tight and constricting to their ancient, natural movements.

The scientist tries to examine the "real" nature of the photograph; he tries to get away from the psychological configuration, the meaning of the image, to move down to some other, more basic level of patterns of alternating dots of light and dark, a world of elementary particles. And yet what does he find there but another mental configuration, another arrangement of psychological meaning? If he persists in this direction long enough, the mythological dimensions of science will become apparent in his work, as they would have if he had asked himself questions about the meaning of sunlight rather than questions about the behavior of photons.

Science wrought to its uttermost becomes myth. History wrought to its uttermost becomes myth. But what is myth that it returns to mind even when we would most escape it?"

The Time Falling Bodies Take to Light, William Irwin Thompson
030610
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