marox_pass_the_dog_attacks
fyn gula we see fyn, now simply copello himself, having stepped out of the puppet theatre, standing before the crowd. he sits in a somewhat broken chair, the same one he salvaged from a hunting cabin in the laurel highlands. yet we are made to believe, in our recollection of the story, that this is an outdoor cafe on the campus of notre dame and he is sipping a dopio macchiato with his dog snap under his feet. (there is a dog there. it's sandy. good call.) around himself at other chairs to represent customers he has various stuffed animals set up. a rabbit with a dress and one missing ear. a ballerina with legs longer than itself and pink cheeks suggesting inibriation. and a dog with a body of furless fabric.

along comes one of the old ladies from the renaissance minstrel band. she is playing the doctor's wife and lisa is one of taller brownies. then the stranger, played by a shaft giant on his knees approaches with the dog that once raided the chicken coop at robin hill.

the story goes like this: fyn minding his own business, suddenly hears a dog bark, sees it attacking a little girl. without thinking, he gets up, jumps on the marauding dog and wrestles it to the ground.

but in the play, the giant has a hard time getting his dog to attack the brownie. all it wants to do is get petted. but the brownie had a piece of cheesecake from somewhere and had the dog at least jump up to get the bite, so copello leaps from his chair and lands on top of the dog and they fall to the ground in a clumsy heap.
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log burning fire oh the things we do. 060316
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