chasing_amy_abridged
kvnsmth FADE IN:

Another comicky CREDITS SEQUENCE, this time featuring art
by Mike Allred and roughly 12,000 in-jokes relating to
Clerks and Mallrats.

INT. COMIC CONVENTION

ETHAN SUPLEE, in a startlingly accurate portrayal of most
superhero comic fans, makes a complete idiot of himself.

BEN AFFLECK
(smoking)
What the hell was that?

MALE AUDIENCE MEMBERS
Get to the lesbians already!

WRITER/DIRECTOR KEVIN SMITH
(smoking)
Hold on, I'll fucking get to it.

In a smaller room, DWIGHT EWELL delivers a racially
charged monologue that is far more risque than anything
else in the movie, or the trilogy, for that matter, yet
offends NO ONE. BEN disputes him on one point, leading to
an extended debate about racism in Star Wars. This is the
second-greatest moment in film history.

DWIGHT EWELL
(smoking)
Black rage!

He shoots JASON.

JASON LEE
(smoking)
...

Everyone leaves except BEN, JASON, DWIGHT and the CHICK
WHOSE FACE WAS PLASTERED IN CLOSE-UP ON EVERY GODDAMN
PIECE OF PUBLICITY RELATED TO THIS MOVIE. But we'll call
her JOEY.

MALE AUDIENCE MEMBERS
Hey, isn't that the chick who fucked
Bud on Married with Children? She's
hot now. What an interesting
development.

FEMALE AUDIENCE MEMBERS
GOD her voice is annoying.

JOEY LAUREN ADAMS
(smoking)
Hi.

BEN immediately falls deeply in love with her. JASON
develops a deep-seated hatred that will outlast his
lifetime.

INT. SOME BAR SOMEWHERE

DWIGHT and JASON, while smoking, have a heated argument
about homoerotic subtexts in Archie comics. This is the
third-greatest moment in film history.

MALE AUDIENCE MEMBERS
Dude...lesbians. We paid seven bucks.
Throw us a bone here.

WRITER/DIRECTOR KEVIN SMITH
(smoking)
Oh, fine.

INT. MEOW MIX

BEN and JASON have been invited, sort of, to what the
aforementioned audience members are hoping will be some
sort of lesbian orgy. JOEY gets up and sings something
that would have been on the SOUNDTRACK, but KEVIN SMITH
is EVIL and didn't arrange to release one. At about this
time CARMEN LEE shows up for no obvious reason.

JOEY LAUREN ADAMS
(smoking)
I'd like to dedicate that song to that
certain special someone, someone whose
identity can be expressed in vague
enough terms that an egotistical and
naive guy I met at a comic convention
will think I'm talking about him
despite the fact that I've only known
him for a few days, and as all of you
know from the trailer I'm gay anyway.

BEN AFFLECK
(smoking)
She loves me.

JOEY, while smoking, leaps down from the stage and starts
passionately sucking on CARMEN'S face.

MALE AUDIENCE MEMBERS
This is the best movie ever!

The MALE AUDIENCE MEMBERS' DATES get up and leave in
disgust. Meanwhile, the director's girlfriend and one of
the actors' wife, both of whom are straight, continue
making out for several minutes.

BEN AFFLECK
(smoking)
So, um...
(uncomfortable pause)
Hi.

JOEY LAUREN ADAMS
Mmrrmph.

EASILY AMUSED LESBIANS IN
AUDIENCE
Hey! I'm in the movie!

EXT. SWINGSET

JOEY LAUREN ADAMS
(smoking)
Ben, I like you, more than I've liked
any guy in a long time.
You're the first guy I've met in a
while that didn't immediately fall
into some stereotype. To reiterate,
our friendship hinges entirely on your
ability to not digress into
stereotypically male behavior.

BEN AFFLECK
(smoking)
Cool.

JOEY LAUREN ADAMS
So if you have any questions, I'd
rather not listen to all the awkward
subtle hints.

BEN AFFLECK
Are you a virgin?

JOEY LAUREN ADAMS
What the fuck!? Have you been paying
attention at all?

BEN AFFLECK
But according to the stereotypical guy
bullshit, loss of virginity is defined
by penetration.

JOEY LAUREN ADAMS
That's a bunch of crap.

BEN AFFLECK
So you've never been with a guy?

JOEY LAUREN ADAMS
I didn't say that.

BEN AFFLECK
But you answered the virgin question
with another question. That obviously
was to be interpreted as a yes.

JOEY LAUREN ADAMS
Ben, I've been with guys.

BEN AFFLECK
(not listening)
I mean, otherwise you would have just
answered yes, right?

JOEY LAUREN ADAMS
Ben! I HAVE HAD SEXUAL INTERCOURSE
WITH MEN! DO YOU UNDERSTAND?

BEN AFFLECK
This is convenient, since my ability
to deal with this situation will
crumble if I find out that you're not
avirgin.,' should I ever profess my
love for you on some rainy, overly
symbolic eve. Thank god you've never
been with a guy!

INT. BEN'S CAR ON SOME RAINY, OVERLY SYMBOLIC EVE

BEN AFFLECK
(smoking)
I love you.

JOEY, smoking, exits the car in a fit of rage. Seconds
later she runs back and leaps into BEN'S arms.

VARIOUS SHOTS OF BEN AND JOEY DOING SHIT PEOPLE
PRESUMABLY DO WHEN THEY'RE IN LOVE, BESIDES FUCKING

INT. BEN'S APARTMENT

JASON LEE
(smoking)
Hey. Heard something interesting
today.

BEN, smoking, looks up from the OBLIGATORY HOCKEY VIDEO
GAME to listen.

JASON LEE (cont'd)
Remember Rick Derris?

BEN AFFLECK
Sure. He's been mentioned thirty times
in every one of these movies.

JASON LEE
Apparently Joey used to fuck him. And
Coey London, another guy from high
school. And Willam the Idiot Manchild,
from the earlier movies. And her
sisters Tricia and Heather. And her
cat, Muffy. And former vice president
Spiro Agnew. And...

BEN, smoking, beats the shit out of JASON.

AUDIENCE
It's about damn time.

INT. JOEY'S APARTMENT

JOEY and various NOT-AT-ALL STEREOTYPICAL LESBIAN
CHARACTERS work on the distribution angle of the comic.

EASILY OFFENDED LESBIANS IN
AUDIENCE
Dammit!

Unlike the White Hatin' Coon monologue, this scene
offends damn near everyone.

INT. HOCKEY ARENA

BEN AFFLECK
(smoking)
By the way, Joey, have you ever, um..

JOEY LAUREN ADAMS
(smoking)
YES! YES, GODDAMN YOU! I FUCKED RICK
DERRIS! AND COEY! AND THE GUY FROM THE
PUBLISHERS' CLEARING HOUSE! AND THE
ENTIRE LPGA TOUR WHEN THEY PASSED
THROUGH NEW YORK!

BEN AFFLECK
Actually, I was going to ask if you
had ever thought about signing with
one of the bigger indie labels like
Vertigo or Image. But your question
seems much more interesting, I agree.

They BREAK UP.

INT. THE DINER

JAY and SILENT BOB enter.

KEVIN SMITH FANS IN AUDIENCE
(smoking)
It's about fucking time!

SILENT BOB
(smoking)
Ok, here's what you need to do. Forget
about all this shit, it isn't relevant
to the person you're in love with.
Repeat, none of it matters, she was a
different person then. Do NOT hatch
some idiot plan involving Jason.

BEN AFFLECK
(smoking)
Yeah. Whatever.

INT. BEN'S APARTMENT

BEN AFFLECK
(smoking)
Ok, we all need to have sex.

JASON LEE
(smoking)
Didn't they try that in Threesome?

BEN AFFLECK
(smoking)
Shut up.

JASON LEE
And doesn't this go against what the
Writer/Director, whose experiences are
clearly NOT the basis for this
storyline, told you in the previous
scene?

JOEY LAUREN ADAMS
(smoking, crying)
Screw you guys, I'm going home.

JASON LEE
Me too. Stay the hell away from me,
dude.

INT. COMIC CONVENTION, ONE YEAR LATER

ETHAN SUPLEE humiliates himself. Again. He also advances
the plot, specifically the fact that BEN and JASON ended
the comic and haven't spoken since. BEN flashes JASON a
comic and gives him a thumbs-up from across the room,
indicating that apparently there's still hope for their
friendship. He then walks over to JOEY.

BEN AFFLECK
(smoking)
Hi. I wrote something based on our
experiences together, a none-too-
subtle attempt to communicate that I
now understand what Silent Bob was
talking about in that seen.

JOEY LAUREN ADAMS
(smoking)
Aww, how sweet.

PETER RAUCH
By the way, this actually works in
real life. No one knows why.

BEN AFFLECK
So, I've fucked up the two most
important relationships in my life,
but there's hope that I may be able to
deal with these things now and regain
my closest friends.

AUDIENCE
Wait a minute. Didn't that happen in
Clerks?

WRITER/DIRECTOR KEVIN SMITH
(smoking)
Yeah. See, Clerks' focus was irony.
This one's realism. The point is that
life more often reflects the bizarre
than the predictable.
This is why Mallrats, which was based
in idealism, ended with the
protagonist taking over hosting duties
on the Tonight Show.

AUDIENCE
Whatever. You just couldn't think of
an ending.

WRITER/DIRECTOR KEVIN SMITH
Oh, and endings are SO IMPORTANT to
you, right? You, the assholes who made
The Blair Witch Project the most
profitable movie of all time?

AUDIENCE
Ok, ok, sorry.

WRITER/DIRECTOR KEVIN SMITH
Besides, this is new!

ILLEANA DOUGLAS, upset at having her scene deleted,
wastes the entire cast and crew with a machinegun.

AUDIENCE
No, that also happened in Clerks, you
just deleted the scene.

WRITER/DIRECTOR KEVIN SMITH
Fuck!
END
010428
...
silentbob that










was










far








and away










the
















funniest fucking thing i ever

read.

I am forever amused by who you are, and what you've meant to me.
010428
...
bethany dear lord, i am a naive cunt-rag coz i definately think the above was a gift from kevin smith/the blather gods to KS fans across the world.

these days that'd DEFINATELY go for one-ten and if he signed it would push it up even higher
020603
...
if you wanna know the truth... actually, it's just one of many abridged scripts found in The Editing Room. for a list of all scripts given this treatment: http://ter.air0day.com/archives.php 020603
...
r_r . 111209
what's it to you?
who go
blather
from